Abstract: The article discusses the circumstances of the establishment of the Youth Salon exhibition in the autumn of 1968 and its role in profiling the socio-political identity of young artists in the following period. The starting claim is that the current knowledge about how much events related to global and local student protests directly influenced the art scene in socialist Croatia and Yugoslavia is relatively modest, that is, that the connection between a certain type of avant-garde artistic practice and particular historical context is based on g...
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