Abstract: The Berlin director Heinz-Uwe Haus has been staging productions in the United States for nearly three decades, beginning with a production of The Caucasian Chalk Circle at Villanova University in 1980. This article focuses on two Brechtian principles that Haus has employed in his University of Delaware and Villanova productions: first, what he characterizes as “physicalized” acting and, second, a sense of theatre as a community event. Physicalization permits the actors to “get in touch with” their bodies and use them differently and mor...
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Topics: 
Art history
Humanities
Media studies