Abstract: Joyce regarded the Swiss Othmar Schoeck (1886–1957) as one of the most important contemporary composers, standing “head and shoulders over Stravinsky and Antheil as composer for orchestra and voice anyhow”. He was deeply impressed by a performance of Schoeck’s Lebendig Begraben on 14 January 1935 at the Tonhalle, conducted by the composer himself. He went to see Schoeck immediately afterwards and came to see him as one of Zurich’s most important assets.
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