@article{https://doi.org/10.25969/mediarep/14756,<br/><span class="tab"></span>
  doi = {10.25969/MEDIAREP/14756},<br/><span class="tab"></span>
  url = {https://mediarep.org/handle/doc/15736},<br/><span class="tab"></span>
  author = {Dang,<br/><span class="tab"></span> Sarah-Mai and Strohmaier,<br/><span class="tab"></span> Alena},<br/><span class="tab"></span>
  keywords = {Fernsehen,<br/><span class="tab"></span> video activism,<br/><span class="tab"></span> digital methods,<br/><span class="tab"></span> digital video archives,<br/><span class="tab"></span> historiography,<br/><span class="tab"></span> Syria,<br/><span class="tab"></span> 070,<br/><span class="tab"></span> 791},<br/><span class="tab"></span>
  language = {en},<br/><span class="tab"></span>
  title = {Collective Collecting: The Syrian Archive and the New Challenges of Historiography},<br/><span class="tab"></span>
  publisher = {Netherlands Institute for Sound and Vision},<br/><span class="tab"></span>
  year = {2018},<br/><span class="tab"></span>
  copyright = {Creative Commons Attribution No Derivatives 4.0 International}
}